Everything Is Moving Along.

So far at the Stewmade shop, we've got the ball rolling on about 3 projects; Orange Crate, 70's Appliance, and yet another "Stelly" sparkle finish guitar.

The Orange Crate has been somewhat of a challenge and has really required a lot of brain storming just figuring out how the wooden oranges are to be permanently fixed inside the guitar body. Plus figuring out wiring without any tell tale signs from any angle has been tough. But I'm going out today for a photo shoot to promote the guitar when it's done. I fear there won't be enough time before local oranges start falling off their branches. So I sort of completed the guitar enough that it would photograph well just in case. If I finish (est February 29th) and oranges are still hanging from the trees, then I'll take more pics.

Now for the others, I'm just waiting for wood and cases.

Effects Lineup for 2009: It's All About Change.

(Click on image).

Ok, so I'm armed with a variety of great overdrives and distortions and a new delay with tap tempo. Still debating using my digital reverb somewhere but I'll have to toy around with this for awhile.

Also new is the Planet Waves connector cables. Supposedly the gold plated plugs help with better fidelity. Or at least to justify the higher price. We'll see.

It's All Over! 30 Years of Guitar Playing Stops Today!

Well I just got back from my hand specialist tonight. I have been battling a painful left index finger for about a year now. The surgeon ordered x-rays of my left hand and then gave me the news.

Now, what I was expecting was something along the lines of "wear this splint for 5 weeks followed by a series of anti inflammatory medication. Nope, it was arthritis. Significant arthritis to the point that the doctor recommend that I stop playing guitar. Unfortunately playing guitar is the only activity that aggravates my finger pain.

The doctor then said that by continuing to play guitar that I would further degrade the joint causing increasing pain and decreasing range of motion. Then the arthritis pain would eventually start to interfere with other every day activities. The doc said, "be lucky that you have an isolated activity that you can eliminate vs something that affects your daily activities, simple activities, like buttoning your shirt or typing."

Cortisone shots will only mask the problem. I'll be pain free for a bit but then when the shot wears off, I'll be right back in the surgeon's office for another shot. I'm only allowed so many shots per year. Surgery would only be a cleaning of arthritic debris and would not really help my pain or range of motion.

Ok, I'll be honest. This news was devastating. I have worked so hard for years to get "my tone". Playing music is the connection between my being and life. I've used my talent to play for the Lord for almost 5 years. Now I have to stop?

So bands are out for good. Worship service out for good. I'm able to still build guitars but then I'm faced with the dilemma of testing out the guitars when I'm done. The guitars I own. The guitars I've recently acquired, all for nothing. I really don't want my hand to ache like this on any given day because I didn't know when to call it quits.

My plan: To take Glucosamine Chondroitin for two months (a recommendation from my surgeon), continue taking my anti inflammatory, and plan to play one last time this year. I'll reserve 3 last opportunities; one last performance with the band De-Tension, reserve a date to sit in with QBS if the opportunity arises (not a hint), and perform one last time with the worship band at church. And then I guess that will be it. I'll take the place of audience from here on out. In the meantime I'll be praying heavily and asking God what he wants me to do regarding this news.

Tendonitis is curable, arthritis is not. If I don't stop playing guitar now, it will start me on a road to constant arthritis medications for life due to the increased deformity from the arthritis.

Anyone need some guitar gear?

The Holy Grail of X-rays.

Oh yeah, I did it! The ultimate lateral knee x-ray ever. I've yet to see this in Merrill's. Yeah, I was pretty proud. I can usually get this 7 times out of 10. It's an eyeball sort of thing as far as the patient's positioning but the key is a 7 degree cephallic angle from the x-ray tube. This is my average. Skinny people straight 0 degree beam, larger patients, anywhere from 10 to 15 degrees. There, my first X-ray Tech Geek blog ever!

Out With The Old, In With The New: Reassesing My Guitar Effects Pedalboard.

Ok, now that 2009 is here, there are a few changes in order. I'm parting with a few old friends only because they no longer serve their purpose. Time to switch things up a bit.

I'll still keep my Seymour Duncan Twin Tube Classic pedal, Boss TU-2 Chromatic Tuner, Boss CH-1 Super Chorus (for now) as well as my Barber LTD low gain pedal and Dunlop Wah/Volume pedals. So those are still my key tones for what I need when I return to playing guitar on a more regular basis.


T-Rex Replica Delay Pedal
I've been doing some research and I'm impressed with the products from T-Rex Engineering. They are a step up from Boss pedals and a little on the high dollar side. But I've been tolerating my Boss RV-3 Digital Delay/Reverb pedal to the point where it just doesn't make sense to keep anymore. I like the more modern ability to tap tempo the delay. This saves me from contstant on stage adjustments in which I have to hear the delay (echo) rate audibly in order to set. The T-Rex Replica is just what I've been looking for. I don't really use Reverb these days since the places I play already have inherant reverberation in the room. Adding more just adds clutter to my sound. This would be different if I played more outdoor gigs. Plus I have reverb effects in my amplifiers.


T-Rex Moller Overdrive/Clean Boost Pedal
I love the control that you get from this pedal. I've been sort of hunting for an in between "grey area" overdrive pedal. The Barber LTD is great for low gain tone but it's not enough "umph" or "to push over the cliff" factor. Plus it sort of lacks low end bass, kind of like the TS-808's. The SDTTC pedal takes care of what the LTD wants to do, but still there's a wide gap between the channel 1 and channel 2 overdrives. It would be nice just to have something soaring SRV/Hendrix stuff while still retaining my Strat sparkle. What's cool is the mix control. This way I can blend as much or as little affected signal to my desire.

I hear that John Mayer, David Gilmour, Pete Townsend, Mark Tremonti, and Steve Lukather use these pedals (brand not necessarily the actual pedals mentioned). Not that this has any affect on my using these pedals but as stompboxes go, that's saying something as opposed to using some rack effects.

I'm keeping my Boss Chorus pedal only because I can't justify spending over $200 for a chorus pedal, especially when I use this effect sparingly. I like the my chorus pedal only because I can mix my dry-chorus effect. So it's not an all or nothing pedal.

Let's Review StewMade Guitars of 2008 and 100th Post.

Well this ends the year and this marks my 100th blog entry! Wow, only 100? It seems like more for some reason.

I'm so ready for a "Do Over" in 2009. 2008 marks a year of a series of unfortunate events. Rather than imagining Baby New Year passing by Father Time 2008, I imagine a teenage New Year thug kicking the crap out of 2008. I want to thank Switch to Plan B and Epic Beat for being there for me, just to listen to me, while I worked through many issues that came up this year. Not to mention Epic's patience with me while dealing with my hand issues for worship services.

So rather than rehash out a year in review for me, I would rather reflect on what was accomplished in the StewMade shop. I set out to build about 3 guitars this year and with hopes of squeezing out maybe an additional one. Turns out it was a different combination of the three.


The 70's Muscle Car Guitar. Really happy with this one. I got the vibe I was after. It really sounded nice and was very comfortable to play. Unfortunately, the guy who bought my last two guitars bought this one as well. He seems to be buying up all of my guitars rather than letting me send out my babies into the world to be enjoyed by all. I think secretly he was hired by Fender to purchase my guitars and destroy them upon delivery (LOL).

I keep getting hits on this blog regarding the Muscle Car Guitar so I might build about two next year. I'll probably still go with Sublime Green and possibly Plum Crazy. I dunno.


Mark's J-5 Signature Bass. Really nice bass and my first 5 string build. This wins the "eye candy" award for Stewmade this year. The wood grain just popped off of the guitar and just looks stunning when stage lights hit it.

I took a leap of faith and used a local guy, Carey Nordstrand from Yucaipa. He uses a scatter wound technique and I guess has a machine that simulates the hand tension winding process. Many feel that this process is what really makes a pickup stand out more, in a good way. There is much talk that the reason why early Fender pickups sound so good is because they were hand guided onto the pickup bobbin (spool) in a random (scatter) fashion. The tension was also "felt" as the pickup is being wound, something modern winding machines lack; the human factor. I subscribe to this theory only because I've compared the two and there is a noticable difference, to my ears.

Anyway, I was really impressed by the tone of these pickups. Relatively quiet yet had that great classic J bass growl. I would really like to include another bass for 2009.


Fall Leaves Guitar. This guitar was made a bit late to capitalize on the fall season. I had this guitar body that was to be another Beach Scene Guitar. The body had been lying around, getting in the way of things. I couldn't come up with a third beach design when I was curious if I could maybe carve something other than surfboards and tide pools. Plus I'm such a sucker for the fall season and have always wanted to build something that just made you feel like it was fall.

So with the same "what the heck" ambition, I sketched out some leaves and started cutting. Once I started, I realized I was in for some major work. I couldn't just stop, I had to finish what I started. I studied countless images of leaves; the way they curled up at the ends without compromising the construction of the guitar.

This guitar was not planned out until the last minute. But now that it's done, I think I got it close to what I pictured. So far I've faced much criticism on my choice of colors and wood choices. But I guess that comes along with any art form.

The guitar is lightweight and I used my friend Tommy to finish the neck for me this time. I was very impressed. The neck is a satin finish which feels really smooth and friction free.

Also, I choose pickups by Jason Lollar; "Blondes". Let me explain for you folks who are now wondering why "blondes" (WARNING, HEAVY ELECTRONIC GEEK CONTENT! SCROLL PAST THIS PARAGRAPH IF NECESSARY). Jason, like Carey, makes his pickups hand scatter wound. But Jason voices each of his pickups with the amplifier in mind. During Fender guitars Strat history, there were different amp coverings in relation to the time the amplifiers were manufactured; early 50's tweed amps, early 60's blonde tolex/vinyl amps, and the mid 60's black tolex amps (also known as blackface amps due to the color of the amp's black control panel). So Jason matches the output and specs according to what the guitars were being played through at that time. If all there was available to play in the late 50's was a tweed Fender Bassman amp, then your guitars of that same era didn't have much bass response since you got that tonal aspect from the amplifier. So theoretically, if you play a real 1956 Strat through one of today's modern amplifiers, it would sound a little on the thin, treble side. So if I typically play through a very bassy sounding amp, then Jason would recommend using the Tweed or Blonde pickups. But if I have a '65 Fender Deluxe or Twin amp, then the Blackface pickups would sound better based on the amp voicing. Dig?


As far as the Orange Crate Guitar is concerned, I'll be working on this pretty heavily to meet my Spring '09 deadline. I hit a road block in one element regarding weight and stability. But I think I worked it out. And yes, this will even smell like oranges when I'm done. HA! What other guitar manufactured today can say that?!

Confusing December!

So I guess since the weather is just now getting colder, our maples and liquid amber trees are just starting to turn fall colors. Yet in the distance, there is evidence of large amounts of snow in our mountains. Just seems kind of strange to see this late in December. Usually this time of year, all the leaves have turned color and fallen.